![]() The atypical "Hell's Angels," on the other hand, has a twisted, chunky rock feel rather like the solo work of another of producer Peter Jenner's clients, Syd Barrett.As a genre, singer-songwriter folk has a certain nakedness about it, particularly in the way that it allows the listener almost inside the mind of the artist as they deliver their lyrics in the most intimate way possible. There are gentler items, sometimes with subdued harmony vocals and orchestration, that sound rather like Harper's most acerbic side sanded off with edges of Al Stewart, Donovan, or Tim Hardin "Another Day" is the prettiest of those. It could be irony, it could be ironic self-hatred, it could be muddled reflections on the chaos that is the modern world, or it could be a combination of all of them. "I Hate the White Man," however, is certainly one of his most notable (and notorious) compositions, a spew of lilting verbiage that's hard to peg. It's not much of either a progression or a slide from the lyrically convoluted, somewhat but not incredibly melodic path he had established with his prior work. ![]() Roy Harper's fourth album found him in an acoustic folkie mode more often than not, though as usual (for circa late-'60s Harper) there were detours into pretty rocky items on occasion.
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